Rootstock Publishing is pleased to announce the release of Whole Worlds Could Pass Away: Collected Stories by Vermont author and journalist, Rickey Gard Diamond. Her stories are at once familiar and startling, grounded in remarkable everyday experiences as well as in the raw and dreadful.
Published in a range of journals and magazines like The Sewanee Review, Plainswoman, Other Voices, The Louisville Review, and Trivia, Diamond’s characters and settings resonate with a language and voice uniquely her own. These eleven stories from Bears to Worms reveal a common thread in our collective and inner lives.
Her forthcoming book, Screwnomics: How Our Economy Works Against Women and What We Can Do to Make Real and Lasting Change (She Writes Press, April 2018), illustrated by cartoonist Peaco Todd, reframes the unspoken economic theory that women should always work for less—or better, for free.
by Jerry Jenkins
Part One: Before You Begin
You’ll never regret—in fact, you’ll thank yourself later for—investing the time necessary to prepare for such a monumental task.
You wouldn’t set out to cut down a huge grove of trees with only an axe. You’d need a chain saw—perhaps more than one. Something to keep them sharp. Enough fuel to keep them running.
You get the picture. Don’t shortcut this foundational part of the process. Continue reading
by Leann Garms
How do you make news with your book, beyond a book review or a book-signing event? That’s really the question and the challenge. The answer is actually simple. You see, it’s not about you or your book. It’s about NEWS.
Book Publicity. PR. Media Relations. Working with the media to get that coveted review, news story, radio interview, magazine feature article or even radio and TV interviews. Continue reading
by Bobbie Christmas
Money and Time
In the last issue I explained why I devoted an entire chapter to my “Bill of Writes” for writers in my book on creative writing titled Write In Style: How to Use Your Computer to Improve Your Writing. Some writers feel less deserving as writers, especially if they have not yet sold any of their works. Regardless of whether we’re starting out or have years of accomplishments under our belt, we writers have inalienable rights. For that reason, special to SPAWN, I have agreed to explain each item in my “Bill of Writes” through a series of articles. Below is number two in my “Bill of Writes.” Watch for the remaining items in future newsletters.
Number Two: You Have the Right to Spend the Money and Time Necessary to Improve Your Craft Continue reading
by Ivor Davis
When Vanessa Brantley Newton, the vigorous keynote speaker and acclaimed children’s book illustrator, urged some 500 attendees at this summer’s opening session of The Society of Children’s Book Writers and Illustrators (SCBWI) to stand up and do the Hokey Pokey dance, I knew something very different was afoot. She even belted out the words
After all, this was literature—kids’ maybe. And where, precisely, did all this book conference dancing really fit in? Fuddy-duddy I may be, but I have not seen such vigorous participation in that ancient kids’ song since my grandson Elias’s Seattle bar mitzvah. Continue reading
by Barbara Florio Graham
As a busy writer, consultant, and mentor, my office is cluttered with files. I’m often dealing with many different clients at the same time, and I’m a compulsive collector of newspaper and magazine articles that might be fodder for my regular columns or a future article.
Drowning in paper is a real threat!
I’ve developed a system that works for me, and I’ve also adapted this to my email. Continue reading
Q: I can’t decide the best way to get someone to edit my manuscript. Should I let my editor edit the electronic file, or should I print out the manuscript and mail it to her?
A: The answer depends on several factors, because both methods have potential positive and negative implications. Continue reading